Controlled Image, Uncontrolled Surface
My water–oil printing work begins with resistance. Water and oil refuse to merge, and that tension gives the image its movement.
Photographic forms are transferred into textures that drift, separate, and break apart. Because the surface can never be repeated exactly, each print becomes a unique negotiation between intention and chance.
This process extends my interest in unstable identity: an image may remain recognisable while its edges dissolve, echoing the way memory and self-perception continually change.
